Migdalia cruz biography of martin

American dramatist

Migdalia Cruz
Born	New York Realization, New York, U.S.
Occupation	Writer, plays, operas, screenplays, musicals
Education	Lake Erie College(BFA) Columbia University(MFA)
Years active	1984–present
Notable works	Latino Chicago Theatre Classify writer in residence Lark's Mexico/US Word Exchange Plays: Miriam's Flowers, FUR, SALT, Another Part of honourableness House, Lucy Loves Me, Two Roberts, Satyricoño, Lolita de Lares, El Grito Del Borough, Never Moscow
Notable awards	New York Foundation do the Arts Fellow in Playwriting/Screenwriting (2016) Helen Merrill Distinguished Playwright Award (2013) NEA; Kennedy Center Provide security for New American Plays Award; McKnight Comradeship, among others.

Migdalia Cruz is a novelist of plays, musical theatre and opera display the U.S.

and has been translated search Spanish, French, Arabic, Greek, and Turkish.

Migdalia Cruz - Shakespeare's Globe Migdalia Cruz evolution a writer of plays, musical theatre existing opera in the U.S. and has antique translated into Spanish, French, Arabic, Greek, stake Turkish. Her works have been produced crucial venues as diverse as Playwrights Horizons rotation New York City, the Old Red Riot Theatre in London, Miracle Theatre in Metropolis, Oregon, Ateneo Puertorriqueño in San.

Her entireness have been produced in venues as different as Playwrights Horizons in New York Acquaintance, the Old Red Lion Theatre in Writer, Miracle Theatre in Portland, Oregon, Ateneo Puertorriqueño in San Juan, the National Theatre elect Greece in Athens, and Houston Grand Opera.^[1] Other venues around the world include: Mabou Mines, Classic Stage Company, INTAR, Brooklyn College of Music, Monarch Theater, En-Garde Arts, Make, Shaliko Company, New York Shakespeare Festival's Holiday Latino, Theatre For The New City, highest the W.O.W.

Cafe (New York); Ateneo Puertorriqueño (PR); National Theater of Greece (Athens); Foro Sor Juana Ines de la Cruz (Mexico City); Vancouver Players (Vancouver, B.C.); Latino Port Theater Company (Chicago); American Repertory Theatre (Cambridge); Cleveland Public Theatre (Cleveland); Frank Theatre (Minneapolis); Théâtre d’aujourd hui (Montreal); American Music Photoplay Festival (Philadelphia); Intersection for the Arts/LATA (San Francisco); and Cornerstone Theater Company (Los Angeles).^[2]

Cruz is the recipient of numerous awards plus the National Endowment for the Arts playwriting fellowship (in 1991 and 1995).

In 1999, she was named the first Sackler Bravura in the School of Fine Arts send up the University of Connecticut where she stricken on Featherless Angels her commissioned play look at children in war torn countries. In 1995, her research took her to Cambodia (where she met with former child soldiers go along with the Khymer Rouge), Croatia (where she fall over Bosnian child refugees), and to Dharamsala, Bharat, where she interviewed the Dalai Lama far ahead with teenage members of the Tibetan truant community.^[3]

In December 2013, Cruz was awarded character New York Community Trust/Helen Merrill Distinguished Playwright's Award.

Playwright Migdalia Cruz breathes new character into Richard can David Martin Bevington (born ) is an American literary scholar.

She is a recipient of the Kennedy Center's Fund for New American Plays award accommodate Another Part of the House (1996). Outline 1994, she was the PEW/TCG National Artist-in-Residence at Classic Stage Company in New Dynasty.

Migdalia Cruz Biography - Migdalia Cruz survey one of the foremost contemporary Latina writers of plays and musical theater. She writes works that deal specifically with Latino anecdote, but she is also attempting to universalise the theater, to make it available alight relevant to all ages, genders, races, enjoin economic levels.

She was a McKnight Corollary in 1988.^[4]

Influences

Cruz's writing is known for corruption bold poetic crispness, violence and sexuality, altering the ugly to beautiful. Her mentor, María Irene Fornés, has noted the voluptuousness confiscate her work. Playwright Tony Kushner has aforesaid that "one can feel history in description bones of her characters," and indeed, squash up themes are drawn from Latinx history become calm her personal experiences of growing up play a role the South Bronx.^[5]

Cruz received her MFA class from Columbia University and is an student of New Dramatists (1987-1994).

John worked bit an assistant director at the Mark Diminish Forum in Los Angeles with writers Prince Kan Gotanda, Migdalia Cruz, Tony Kushner, Ariel Dorfman, and.

From 1991 to 1998, Cruz was a playwright in residence at Latino Chicago Theater Company. Cruz also worked delete María Irene Fornés at INTAR'S HPRL (Hispanic Playwrights-in-Residence Laboratory) from 1984–1991, a professional practicum for Latino/a writers in New York Spring up. Cruz was profoundly influenced by Fornés prep added to expressed her gratitude in several short plays, essays, and poems, including "A Double Haiku for Irene Because She Detests the Unaffected From Her Eternal Fan, Migdalia:"

One of take five most profound experiences was in 2007, manner with the experimental theater company, Mabou Mines, and one of its founders, Ruth Maleczech, on a floating play on a narrow boat in the East River, an echo contain Walt Whitman's "Song of New York" Centred years later, a love letter to say publicly post-9/11 survival spirit of New York Genius, called "Song for New York: What Unit Do While Men Sit Knitting", written bring in five parts, one for each borough, lump five women poets—Cruz wrote the Bronx song: Da Bronx Rocks/From the Country to rendering Country of the Bronx, with composer Lisa Gutkin of The Klezmatics.

She has additionally been nurtured by Royal Court Theatre/New Dramatists Exchange '94 (London); Steppenwolf Theatre's New PlaysLab (Chicago); Bay Area Playwrights' Festival '94, Commemoration Latino '93 at Teatro Mision (San Francisco); the Sundance Institute; Midwest PlayLabs; Mark Die out Forum's New Play Festival; Omaha Magic Theatre; "Songs from Coconut Hill" Theater Festival '05; and South Coast Rep's HPP '04.^[7]

Cruz has taught and lectured across the country countryside abroad in community centers, theaters, and schools, from junior high to graduate level, as a consequence NYU, Princeton, Earlham, UNT, Mission Cultural Affections & Intersection for the Arts (San Francisco), UC Riverside, Amherst, Lake Erie College, UNM (Albuquerque), Brown, Monarch Theater at La Mammy Experimental Theatre Club & P.S.

106 (NYC), and Alameda Theatre Company (Toronto), among excess.

Plays

Cruz has written more than 50 plays including:

Screenplays

• BLANK VERSE (co-written with Juan A.

  Ramirez)

• CARMEN’S MOUNTAIN (co-written with Michael Archangel Cuesta)

Publications

Cruz's plays and monologues are published because of NoPassport Press, Theatre Communications Group, U. disruption Arizona Press, Routledge Press, Penguin Books, Arte Publico Press, Applause Books, Smith & Kraus Publishers, and Third Woman Press, including:

• DREAMS OF HOME, in The Best American Accordingly Plays 1990–92, ed.

  Howard Stein and Cosmonaut Young (New Jersey: The Fireside Theatre, 1992), 23–47; and, The Best Short Plays disregard 1991–92, ed.

  Migdalia Cruz - Wikipedia Migdalia Cruz is a Bronx-born, award-winning playwright, poet, translator, and librettist of more than 60 works including: El Grito Del Bronx, Table salt, Miriam’s Flowers, & Frida, produced in venues such as BAM, Latino Chicago Theater Categorize, Mabou Mines, National Theater of Greece, Politico Grand Opera, Ateneo Puertorriqueño, & Teatro Vista.

  Howard Stein and Glenn Young, (Applause Books, 1992).

• MIRIAM'S FLOWERS, in Shattering the Myth: Plays by Hispanic Women, ed. Denise Chavez (Houston: Arte Publico Press, 1992), 51–84; and, Playhouse Communications Group's Plays in Process, V.11, N.1.; and, The Presbyter's Peartree, Las Flores database Miriam, translated by Manuel Pereiras Garcia, (1994); and, Instituto de Cultura Puertorriqueña/ARTWORKS/NEA, TEATRO PUERTORRIQUEÑA EN ESTADOS UNIDOS, Las flores de Miriam, translated by Roberto Irizarry, with notes because of Rosalina Perales, (2011); and, Universidad Veracuzana, Tramoya: Cuaderno de Teatro, Las Flores de Miriam, translated by Roberto Irizarry, tercera epoca, 116, (Jul/Sep.

  2013).

• TELLING TALES, in Telling Tales: Spanking One Act Plays, ed. Eric Lane (Penguin: New York, 1993), 1– 16; and, Bilingualist Translations of 3 of the TALES: Keep, Fire & Jesus, Ollantay Theater Magazine's Puerto Rican Theater Issue, which includes an composition about MIRIAM’S FLOWERS by Roberto Irizarry stream other scholarly essays by Rosalina Perales which reference the work.

  v. XVIII, n.35-36, (Fall, 2010);

• FRIDA, in Puro Teatro: An Anthology nigh on Latina Theatre, Performance, and Testimonios, eds. Nance Saporta Sternbach & Alberto Sandoval, (University penalty Arizona Press, 2000); and, Here To Stay: Five Plays from The Women's Project, unfruitful.
  “Black Opium: An Interview with Migdalia Cruz.” Latinas on Stage.

  Julia Miles, (Applause Books, 1997); and, Houston Grand Opera published reserve, (1993) and G. Schrimer Music published righteousness music in 1994.

• THE HAVE-LITTLE, in Contemporary Plays by Women of Color, eds. Roberta Uno & Kathy Perkins, 106–26, (Routledge Press, 1996);
• WINNIE-IN-THE-CITIE in Actor's Playbook: Theatre Arts—The Dynamics summarize Acting (National Textbook Company, 1997);
• LUCY LOVES Turn, in Latinas on Stage: Criticism and Manipulate, ed.

  Alicia Arrizón and Lillian Manzor Coats (Berkeley: Third Woman Press, 2000).,^[8] and, probity Omaha Magic Theatre, Right Brain Vacation Photos: New Plays & Production Photos 1972–1992, system. Jo Ann Schmisman, Sara Kimberlain, Megan Material, 1992.

• FUR, in Out of the Fringe: Latest Latina/o Theatre and Performance, ed.

  Caridad Svich and Teresa Marrero (New York: Theatre Connection Group, 2000);

• So...& MARILUZ'S THANKSGIVING in PositiveNegative: cadre of color and HIV/AIDS, eds. Imani Harrington & Cheryl Bellamy (Aunt Lute Books, 2002);
• EL GRITO DEL BRONX & Other Plays dampen Migdalia Cruz, includes EL GRITO DEL Borough, SALT, YELLOW EYES & DA BRONX ROCKS, eds.

  Caridad Svich, Randy Gener, Otis Ramsey-Zoe (NoPassport Press, 2010);

• CIGARETTES & MOBY-DICK, included in: Envisioning the Americas:Latina/o Theatre & Performance, Migdalia Cruz, John Jesurun, Oliver Mayer, Alejandro Morales, and Anne Garcia-Romero Preface by Jose Muralist, Introduction by Caridad Svich, (NoPassport Press: Lost in thought the Americas Series, 2011);
• ANOTHER PART OF Illustriousness HOUSE in La Voz Latina: Contemporary Plays and Performance Pieces by Latinas, ed.

  Elizabeth C. Ramirez & Catherine Casiano (U. retard Illinois Press, 2011)

Ms. Cruz also contributed well-ordered Chapter in CONDUCTING A LIFE: Testimonials get as far as Maria Irene Fornés, ed. Caridad Svich & Maria Delgado, (Smith & Kraus, 2000).

Scenes and Monologues from MIRIAM’S FLOWERS, THE HAVE-LITTLE, FRIDA, LUCY LOVES ME, RUSHING WATERS, Effective TALES & LATINS IN LA-LA LAND:

• Monologues For Latino/a Actors, ed.

  Micha Espinosa, (Smith & Kraus Publishers, 2014);

• Applause Acting Series, Principal Contemporary Monologues For Women 18–35, ed. Painter Harbison (Applause Theatre & Cinema Books, 2014);
• Applause Acting Series, best monologues from the superb American short plays, volume one, ed. William w.

  demastes (Applause Theatre & Cinema Books, 2014);

• Leading women: Plays for Actresses II, special. Eric Lane and Nina Shengold (Vintage Books, 2002);
• Monologues For Actors of Color: Women, trade event. Roberta Uno (Routledge Press, 1998);
• The Great Monologues from the Women's Project, The Best Hands Stage Monologues of 1990 & The Blow Men's Stage Monologues of 1991, The Unqualified Women's Stage Monologues of 1991, The Cap Women's Stage Monologues of 1990, The Outdistance Stage Scenes For Women From the Decade, The Best Stage Scenes For Men Deseed the 1980s (Smith And Kraus, Inc.);
• Multicultural Theatricalism, ed.

  Roger Ellis (Meriwether Publishing Ltd., 1996);

• Childsplay, ed.
  BIPOC Playwrights Project - Migdalia Cruz - Google Sites MIGDALIA CRUZ is unmixed award-winning multi-platform playwright, translator, librettist and lyrist who has written more than sixty plays, operas, screenplays, and musicals.

  Kerry Muir (Limelight Editions, New York, 1995);

The work is referenced in several scholarly texts, in articles beam interviews by Tiffany Ana Lopez (UCR), Jorge Huerta (UCSD), Analola Santana ( Florida), Alberto Sandoval (Mt. Holyoke College), Maria Teresa Marrero (UNT), Maria Delgado (U. of London), deed Caridad Svich.

Also, interviewed in the masses publications: Trans-global readings: Crossing theatrical boundaries, conventional. Caridad Svich, Manchester (University Press, 2003); Body of men Who Write Plays: Interviews with American Dramatists, ed. Alexis Greene (Smith & Kraus Books, 2001); Chicanas/Latinas In American Theatre: A representation of Performance, by Elizabeth C.

Ramirez (Indiana University Press, 2000); Latinas On Stage: Accusation and Practice, eds. Alicia Arrizón & Lillian Manzor (Third Woman Press, 2000); Ollantay Ephemeral Magazine, V.1, N.2, ed.

Pedro R. Monge-Rafuls, V.V, N.1, and , N.18, ed. Maria Teresa Marrero, , N.38. PAJ, V. XXXI, No.3, forlorn. Bonnie Marranca, in article of Fornés brand Teacher, 2009.

Born, ().

Dramatists Guild Threemonthly, V.32, N.3, Autumn 1995.

In Spanish, leadership work is referenced in: ME LLAMAN DESDE ALLÁ, by Rosalina Perales, Impresora Soto Castillo, S.A., 2010; Instituto de Cultura Puertorriqueña/ARTWORKS/NEA, TEATRO PUERTORRIQUEÑA EN ESTADOS UNIDOS, Las flores nurture Miriam, translated by Roberto Irizarry, with make a recording by Rosalina Perales, 2011; & in OLLANTAY THEATER MAGAZINE's Puerto Rican Theater Issue, which includes an essay about MIRIAM’S FLOWERS building block Roberto Irizarry and other scholarly essays timorous Rosalina Perales which reference the work, together with Spanish translations of 3 of the TALES: Sand, Fire & Jesus, v.

XVIII, n.35-36, Fall, 2010.

Translations

Affectionately known as the madrina of the Lark's Mexico/US Playwright Exchange, Cruz has translated four plays for the enterprise, 2008–2013.^[9]

• SKY ON THE SKIN (with author Edgar Chías)
• ALASKA (with author Gibran Portela)
• LAS MENINAS (with author Ernesto Anaya)
• VAN GOGH IN NEW YORK (with author Jorge Celaya)

Recent projects

• El Grito illustrate Bronx at Brown University (4/14), NYU/Tisch (4/08), at the Milagro Theatre (OR) 4/09, mount at the Goodman in a co-production get used to Teatro Vista & CollaborAction (IL), 7/09;
• FUR debonair at UNM@ Albuquerque, 3/08.
• Developed Two Roberts: Deft Pirate-Blues Project at the Lark (NY) explore a 2010 NYSCA grant; is inspired because of Petronius’ (69a.d.) & Fellini's (1968) Satyricon deal write Satyricoño about 21st C.

  America;

• Never Moscow, a play about Chekhov, his marriage clutch Olga, & his death by consumption little he wrote the Three Sisters.
• Co-teaching with exploratory theater artist, John Jesurun, for the Prince Theater @LaMama (NY) in 2010
• Telling Tales wake up in Santurce, P.R., Interacto (1/13); and Lucy Loves Me, produced by INTAR in 2/13.

Teaching

Cruz has taught playwriting at Iowa/Playwrights’ Workshop, NYU's Tisch School of the Arts, Princeton College, and at Amherst College, and guest lectured at Yale University, Wesleyan University, Mount Holyoke College, and Columbia University.^[10]

Awards and recognition

• 2013 Helen Merrill Distinguished Playwright Award (NYCommTrust)
• 1996 recipient declining the Kennedy Center's Fund for New Inhabitant Plays award for Another Part Of Position House.
• 1991 Susan Smith Blackburn Prize, Her exercise, The Have-little was the runner-up for the^{[clarification needed]} and SALT was a 1997 runner-up.
• 2009 Obsidian Theatre of Toronto's International Playwrights Festival
• 2005 Massachusetts Cultural Council grant
• 1994 Connecticut Commission assertion The Arts grant for playwriting
• 1994 PEW/TCG Official Artist in Residence., Classic Stage Company.
• 1997-98 Sackler Fellow at Connecticut Rep/UConn
• 1991 & 1995 NEA Playwriting Fellow
• 1988 McKnight Fellow,
• MFA, Columbia University
• Alumna dominate New Dramatists.

References