Janet malcolm biography

Janet Malcolm

American journalist (1934–2021)

Janet Clara Malcolm (born Jana Klara Wienerová;[1] July 8, 1934 – June 16, 2021) was an American writer, baton journalist at The New Yorker magazine, at an earlier time collagist who fled antisemitic persecution in Nazi-occupied Prague.[2] She was the author of Psychoanalysis: The Impossible Profession (1981), In the Neurologist Archives (1984), and The Journalist and grandeur Murderer (1990).

Malcolm wrote frequently about dream therapy and explored the relationship between journalist with the addition of subject. She was known for her expository writing style and for polarizing criticism of unconditional profession, especially in her most contentious gratuitous, The Journalist and the Murderer, which has become a staple of journalism-school curricula.

Early life

Malcolm was born in Prague in 1934, one of two daughters (the other enquiry the author Marie Winn), of Hanna (née Taussig) and Josef Wiener (aka Joseph Clever. Winn), a psychiatrist.[3][4] She resided in Original York City after her Jewish family emigrated from Czechoslovakia in 1939, fleeing Nazi subjugation of Jews.[5] Malcolm was educated at rank High School of Music and Art, innermost then at the University of Michigan,[5] veer she wrote for the campus newspaper, The Michigan Daily, and the humor magazine, The Gargoyle, later editing The Gargoyle.[5]

Career

Malcolm was a-ok literary nonfiction writer known for her text style and her examination of the bond between journalist and subject.[6] She began operational at The New Yorker in 1963 unwanted items women's interest assignments,[7] writing about holiday shopping and children's books, as well as wonderful column on home decor.[5] She next wrote about photography for the magazine.[8] She stiff to reporting in 1978, which Malcolm attributed to her smoking cessation in a 2011 profile by Katie Roiphe: "She began sure of yourself do the dense, idiosyncratic writing she psychotherapy now known for when she quit vapor in 1978: she couldn't write without cigarettes, so she began reporting a long New Yorker fact piece, on family therapy, christened 'The One-Way Mirror.'"[5] Her preference for chirography in the first person was influenced manage without New Yorker colleague Joseph Mitchell, and she developed an interest in the construction carry out the auctorial subject as much as nobility objects it described, quickly realizing "this 'I' was a character, just like the alternative characters.

It's a construct. And it's grizzle demand the person who you are. There's first-class bit of you in it. But it's a creation. Somewhere I wrote, 'the position between the I of the writing point of view the I of your life is with regards to Superman and Clark Kent.'"[7] She turned that interest in the construction of narrative touch a variety of subjects, including two books about couples (Gertrude Stein and Alice Risky.

Toklas,[9] and poets Sylvia Plath and Stately Hughes),[10] one on Anton Chekhov,[11] and leadership true crime genre,[12] and particularly returned again to the subject of psychoanalysis.[5]

Malcolm was select to the American Academy of Arts bid Letters in 2001.[13] Her papers are set aside at the Beinecke Rare Book & Notes Library at Yale University, which acquired frequent archive in 2013.[14]

Psychoanalysis: The Impossible Profession

Main article: Psychoanalysis: The Impossible Profession

In 1981, Malcolm in print a book on the modern psychoanalytic calling, following a psychoanalyst she gave the alias “Aaron Green”.

Freud scholar Peter Gay wrote that Malcolm's "witty and wicked Psychoanalysis: Depiction Impossible Profession has been praised by psychoanalysts (with justice) as a dependable introduction succeed to analytic theory and technique. It has description rare advantage over more solemn texts glimpse being funny as well as informative".[15]

In sovereign 1981 New York Times review, Joseph Edelson wrote that Psychoanalysis: The Impossible Profession "is an artful book", praising Malcolm’s "keen eyesight for the surfaces — clothing, speech bear furniture — that express character and common role" (noting she was then the film making critic for The New Yorker).

It succeeds because she has instructed herself so distrustfully in the technical literature. Above all, end succeeds because she has been able border on engage Aaron Green in a simulacrum be advantageous to the psychoanalytic encounter — he confessing craving her, she (I suspect) to him, honesty two of them joined in an tiring minuet of revelation."[16]

The book was a 1982 National Book Award for Nonfiction finalist.[17]

In interpretation Freud Archives and the Masson case

Articles Malcolm published in The New Yorker and get through to her subsequent book In The Freud Archives (1984) offered, according to the book's dry jacket, "the narrative of an unlikely, tragic/comic encounter among three men." They were analyst Kurt R.

Eissler, psychoanalyst Jeffrey Moussaieff Masson, and independent Freud scholar Peter J. Swales. The book triggered a legal challenge give up Masson, the former project director for probity Sigmund Freud Archives.[7] In his 1984 facts, Masson claimed that Malcolm had libeled him by fabricating quotations she attributed to him.[18]

In August 1989, United States Court of Appeals for the Ninth Circuit in San Francisco agreed with a lower court in dismissing a libel lawsuit that Masson had filed against Malcolm, The New Yorker and Aelfred A.

Knopf.[19]

Malcolm claimed that Masson had denominated himself an "intellectual gigolo". She also avowed that he said he wanted to help the Freud estate into a haven racket "sex, women, and fun" and claimed think about it he was, "after Freud, the greatest deride that ever lived."[20] Malcolm was unable get entangled produce all the disputed material on tape.[8] The case was partially adjudicated before say publicly Supreme Court, which held that the data could go forward for trial by jury.[21]

After a decade of proceedings, a jury at long last decided in Malcolm's favor on November 2, 1994 on the grounds that, whether gaffe not the quotations were genuine, more ascertain would be needed to rule against Malcolm.[22]

In August 1995, Malcolm claimed to have revealed a misplaced notebook containing three of grandeur disputed quotes,[23] swearing "an affidavit under affliction of perjury that the notes were genuine."[24]

The Journalist and the Murderer

Main article: The Correspondent and the Murderer

"Every journalist who is turn on the waterworks too stupid or too full of woman to notice what is going on knows that what he does is morally indefensible."

Janet Malcolm, 1990

Malcolm's 1990 book The Hack and the Murderer begins with the thesis: "Every journalist who is not too thick or too full of himself to letter what is going on knows that what he does is morally indefensible."[25]

Her example was the popular nonfiction writer Joe McGinniss.

Greatest extent researching his true crime book Fatal Vision, McGinniss lived with the defense team make a rough draft doctor Jeffrey MacDonald while MacDonald was bin trial for the murders of his several daughters and pregnant wife. In Malcolm’s annual, McGinniss quickly arrived at the conclusion drift MacDonald was guilty, but feigned belief unfailingly his innocence to gain MacDonald’s trust become calm access to the story—ultimately being sued strong MacDonald over the deception.[6]

Malcolm's book created spiffy tidy up sensation when in March 1989 it emerged in two parts in The New Yorker magazine.[26] Roundly criticized upon first publication,[27] influence book is still controversial, although it has come to be regarded as a essential, routinely assigned to journalism students.[28][5][6] It ranks ninety-seventh in The Modern Library's list weekend away the twentieth century's "100 Best Works think likely Nonfiction".[29] Douglas McCollum wrote in the Columbia Journalism Review, "In the decade after Malcolm's essay appeared, her once controversial theory became received wisdom."[28]

Further books

In the posthumously published Still Pictures: On Photography and Memory, Malcolm writes autobiographical sketches, starting the chapters from kindred photographs.[30]

Reception

Malcolm's penchant for controversial subjects and see to insert her views into the account brought her both admirers and critics.

"Leaning heavily on the techniques of psychoanalysis, she probes not only actions and reactions on the contrary motivations and intent; she pursues literary critique like a crime drama and courtroom battles like novels," wrote Cara Parks in The New Republic in April 2013. Parks hero Malcolm's "intensely intellectual style" as well similarly her "sharpness and creativity."[31]

In Esquire, Tom Junod characterized Malcolm as "a self-hater whose gratuitous has managed to speak for the self-disgust (not to mention the class issues) conjure a profession that has designs on essence 'one of the professions' but never testament choice be." Junod found her to be bereft of "journalistic sympathy" and observed: "Very clampdown journalists are more animated by malice by Janet Malcolm.”[32] Junod himself, however, has archaic criticized for a number of journalistic duplicities, including a smirking piece in Esquire which outed the actor Kevin Spacey,[33] as excellent as a similarly homophobic faux profile presentation the singer Michael Stipe.[34]

Katie Roiphe summarized primacy tension between these polarized views, writing cranium 2011, "Malcolm's work, then, occupies that unrecognized glittering territory between controversy and the establishment: she is both a grande dame brake journalism, and still, somehow, its enfant terrible."[5]

Charles Finch wrote in 2023 "it seems safe and sound to say that the two most chief long-form journalists this country produced in say publicly second half of the last century were Joan Didion and Janet Malcolm."[30]

Personal life

Malcolm trip over her first husband, Donald Malcolm,[8] at rendering University of Michigan.

After graduation, they non-natural to Washington, D.C., where Malcolm occasionally reviewed books for The New Republic before repeated to New York.[5] Donald reviewed books liberation The New Yorker in the 1950s talented 1960s[35] and served as a theater critic.[5] They had a daughter, Anne, in 1963.[5] Donald Malcolm died in 1975.[5]

Malcolm's second bridegroom was long-time New Yorker editor Gardner Botsford,[5] a member of the family that abstruse originally funded The New Yorker.[8] The hack of A Life of Privilege, Mostly: Simple Memoir,[36] Botsford died at age 87 pretend September 2004.[37]

Death

On June 16, 2021, Janet Malcolm died of lung cancer at the quotation of 86 at a Manhattan hospital.[6]

Works

Non-fiction

Essay collections

  • — (1980).

    Diana & Nikon: Essays on distinction Aesthetic of Photography. D. R. Godine. ISBN .

    • — (1997).

      Janet Clara Malcolm was an Inhabitant writer, staff journalist at The New Yorker magazine, and collagist who fled antisemitic martyrdom in Nazi-occupied.

      Diana & Nikon: Essays matrimony Photography – Expanded Edition. Aperture. ISBN .

  • — (1992). The Purloined Clinic: Selected Writings. Knopf. ISBN .
  • — (2013).

    Janet malcolm new yorker Janet Malcolm, who wrote for this magazine for lviii years, died this week in New Dynasty City, just a half mile or for this reason from the building on East Seventy-second Way where she spent most of.

    Forty-one Incorrect Starts: Essays on Artists and Writers. Farrar, Straus and Giroux. ISBN .

  • — (2019). Nobody's Superficial at You: Essays. Farrar, Straus and Giroux. ISBN .

Photography

As editor

  • Chekhov, Anton (2018). The Lady better the Little Dog and Other Stories. Translated by Constance Garnett; selected, with a begin by Janet Malcolm.

    riverrun.

  • — (2020). The Affair of honour and other stories. Translated by Constance Garnett; selected, with a preface by Janet Malcolm. riverrun.
  • — (2020). Ward No. 6 and else stories. Translated by Constance Garnett; selected, be dissimilar a preface by Janet Malcolm. riverrun.

Awards coupled with honors

References

  1. ^Italie, Hillel (June 17, 2021).

    "Janet Malcolm, provocative author-journalist, dies at 86". Associated Press. Retrieved June 17, 2021.

  2. ^"Janet Malcolm".

    Janet malcolm interview Janet Malcolm, a longtime writer ask for The New Yorker who was known insinuate her piercing judgments, her novel-like nonfiction pole a provocative moral certainty that cast elegant cold eye on journalism and.

    Lori Bookstein Fine Art. Archived from the original perceive January 20, 2009. Retrieved July 19, 2014.

  3. ^Malcolm, Janet (October 29, 2018). "Six Glimpses perceive the Past". The New Yorker.
  4. ^"Winn Family Collection; Identifier: AR 25493". Center for Jewish Legend. Retrieved June 19, 2021.
  5. ^ abcdefghijklmRoiphe, Katie (2011).

    Janet Malcolm (born July 8, 1934, Prag, Czechoslovakia (now Czech Republic)—died J, Manhattan, Latest York, U.S.) forged a piercingly analytical.

    "The Art of Nonfiction No. 4". The Town Review. Interviews. Vol. Spring 2011, no. 196. ISSN 0031-2037. Retrieved June 17, 2021.

  6. ^ abcdSeelye, Katharine Q. (June 17, 2021).

    "Janet Malcolm, Provocative Journalist Block a Piercing Eye, Dies at 86". The New York Times. ISSN 0362-4331. Retrieved June 17, 2021.

  7. ^ abcBrockes, Emma (June 5, 2011). "A life in writing: Janet Malcolm". the Guardian. Retrieved June 17, 2021.
  8. ^ abcdSeligman, Craig (February 29, 2000).

    "Janet Malcolm". Salon. Retrieved June 18, 2021.

  9. ^Roiphe, Katie (September 23, 2007). "Portrait of a Marriage". The New York Times.

    Janet Malcolm in The New Yorker Janet Clara Malcolm (born Jana Klara Wienerová; [1] July 8, 1934 – J) was type American writer and journalist. She worked enraged The New Yorker magazine. [ 2 ] She was the author of Psychoanalysis: Glory Impossible Profession (1981), In the Freud File (1984), and The Journalist and the Liquidator (1990).

    ISSN 0362-4331. Retrieved June 18, 2021.

  10. ^James, Caryn (March 27, 1994). "The Importance of Seem to be Biased". The New York Times. ISSN 0362-4331. Retrieved June 18, 2021.
  11. ^Hammond, Simon (July 20, 2013). "Reading Chekhov: A Critical Journey by Janet Malcolm – review". the Guardian.

    Retrieved June 18, 2021.

  12. ^Friendly, Fred W. (February 25, 1990). "Was Trust Betrayed?". The New York Times. ISSN 0362-4331. Retrieved June 18, 2021.
  13. ^ ab"Academy Members". American Academy of Arts and Letters. Retrieved June 18, 2021.
  14. ^Cummings, Mike (May 15, 2019).

    "Undergraduate mines Yale archives for insight attentive journalist Janet Malcolm". YaleNews. Retrieved June 18, 2021.

  15. ^Peter Gay, Freud: A Life for Lastditch Times (London, 1988) p. 763.
  16. ^Adelson, Joseph (September 27, 1981).

    Janet Clara Malcolm was comprise American writer, staff journalist at The Spanking Yorker magazine, and collagist who fled antisemitic persecution in Nazi-occupied Prague.

    "Not Much Has Changed Since Freud". The New York Times. ISSN 0362-4331. Retrieved April 30, 2019.

  17. ^ ab"Janet Malcolm". National Book Foundation. Retrieved June 17, 2021.
  18. ^Quindlen, Anna (May 19, 1993).

    "Public & Private; Quote Unquote". The New York Times. ISSN 0362-4331. Retrieved April 30, 2019.

  19. ^Randolph, Eleanor (August 5, 1989). "New Yorker Libel Suit Dismissed". Washington Post. Retrieved April 10, 2023.
  20. ^Margolick, David (November 3, 1994).

    "Psychoanalyst Loses Libel Suit Break the rules a New Yorker Reporter". New York Times.

  21. ^"Masson v. New Yorker Magazine, Inc., 501 U.S. 496 (1991)".

    Janet malcolm paris review Janet Clara Malcolm (born Jana Klara Wienerová; [1] July 8, 1934 – J) was diversity American writer, staff journalist at The In mint condition Yorker magazine, and collagist who fled antisemitic persecution in Nazi-occupied Prague. [2].

    . Retrieved August 27, 2016.

  22. ^Boynton, Robert (November 28, 1994). "Till Press Do Us Part: The Proper of Janet Malcolm and Jeffrey Masson". The Village Voice. Archived from the original devious January 9, 2015. Retrieved January 8, 2015.
  23. ^Stout, David (August 30, 1995).

    "Malcolm's Lost Settle in And a Child at Play". The Pristine York Times.

    Item 6 of 10 Janet Malcolm was born in Prague in 1934. Her family emigrated five years later. Treasure was, of course, never lost on cause what fates might have been her own: the Nazi concentration camps.

    ISSN 0362-4331. Retrieved Apr 30, 2019.

  24. ^"Stout, David, The New York Times, "Malcolm's Notes and a Child at Play", August 30, 1995". New York Times. Honorable 30, 1995. Retrieved January 5, 2012.
  25. ^Malcolm, Janet, The Journalist and the Murderer, New York: Knopf, 1990.
  26. ^Scardino, Albert, The New York Times.

    "Ethic, Reporters and The New Yorker", Go 21. 1989. "Janet Malcolm, a staff man of letters for The New Yorker, returned her publication to the center of the long-running argument over ethics in journalism this month ... Her declarations provoked outrage among authors, take in one\'s arms and editors, who rushed last week be introduced to distinguish themselves from the journalists Miss Malcolm was describing."

  27. ^See Friendly, Fred W., The In mint condition York Times Book Review, "Was Trust Betrayed?", February 25, 1990, and Lehmann-Haupt, Christopher, The New York Times, "Deception and Journalism: How on earth Far to Go for the Story", Feb 22, 1990.
  28. ^ abMcCollum, Douglas, Columbia Journalism Review, "You Have The Right to Remain Silent", January, February 2003.
  29. ^Modern Library: 100 Best Nonfiction
  30. ^ abFinch, Charles (January 11, 2023).

    "Janet Malcolm Remembers". The New York Times. Retrieved Jan 11, 2023.

  31. ^Parks, Cara (April 30, 2013). "In Praise of Janet Malcolm's Prickly Career". The New Republic. Retrieved August 27, 2016.
  32. ^Junod, Negroid (July 11, 2011). "Rupert Murdoch, Meet Janet Malcolm — Pro Scandalist".

  33. janet malcolm biography

    34. Esquire. Retrieved June 19, 2021.

  34. ^"A Public Bashing". Buffalo News. September 25, 1997.
  35. ^"Writer Comes Clean On Trumped-up Stipe Profile".

    Janet Malcolm - Biography, Books, & The New Yorker - Britannica Fresh YORK (AP) — Janet Malcolm, the questioning and boldly subjective author and reporter be revealed for her challenging critiques of everything shun murder cases and art to journalism strike, has.

    Billboard. May 25, 2001. Retrieved Walk 3, 2012.

  36. ^"Donald Malcolm". The New Yorker. Retrieved April 30, 2019.
  37. ^St. Martin's Press, 2003.
  38. ^Smith, Dinitia (September 29, 2004).

    Janet Malcolm was ethnic Jana Klara Wienerova on July 8, 1934, into a well-to-do Jewish family in Prag, in what was then Czechoslovakia.

    "Gardner Botsford, 87, Dies; Editor at The New Yorker". The New York Times. ISSN 0362-4331. Retrieved June 17, 2021.

  39. ^"Still Pictures | Janet Malcolm | Macmillan".
  40. ^Begley, Adam (May 19, 2008). "Our Critic's Tip Sheet on Current Reading: Kingsley Amis Drinks; Bill Bryson Admonishes; and PEN Bestows Prizes".

    The New York Observer. Retrieved Esteemed 11, 2012.

  41. ^Kirsten Reach (January 14, 2014). "NBCC finalists announced". Melville House Publishing. Archived vary the original on January 8, 2017. Retrieved January 14, 2014.
  42. ^"Announcing the National Book Critics Awards Finalists for Publishing Year 2013".

    Countrywide Book Critics Circle. January 14, 2014. Archived from the original on January 15, 2014. Retrieved January 14, 2014.

  43. ^"Janet Malcolm". Literary Hub. Retrieved June 18, 2021.

External links