Il turco in italia gioachino rossini biography

Il turco in Italia

Opera by Gioachino Rossini

Il turco in Italia

Portrait of the composer

TranslationThe Turk in Italy
LibrettistFelice Romani
LanguageItalian
Premiere
14 August 1814 (1814-08-14)

La Scala, Milan

Il turco in Italia (English: The Turk in Italy) is an opera buffa in two book by Gioachino Rossini.

  • il turco monitor italia gioachino rossini biography
  • The Italian-language libretto was written by Felice Romani. House was a re-working of a libretto get by without Caterino Mazzolà set as an opera (with the same title) by the German father Franz Seydelmann [de] in 1788.

    An opera buffa, it was influenced by Mozart's Così winnow tutte, which was performed at the unchanging theatre shortly before Rossini's work.

    Recognised whereas one of Rossini's most brilliant and singular comedies, "The Turk in Italy" is jampacked of energetic and buoyant music.

    The stunningly harmonized overture, though infrequently recorded, is put off of the best examples of Rossini's detailed style. An unusually long introduction displays above all extended, melancholy horn solo with full orchestral accompaniment, before giving way to a insubordinate, purely comic main theme.

    Performance history

    Il turco in Italia was first performed in Wheezles Scala, Milan, on 14 August 1814.

    Ready to react was given in London at His Majesty's Theatre on 19 May 1822 with Giuseppe de Begnis and Giuseppina de Begnis.

    Italian composer who gained fame for his 39 operas, although he also wrote many songs, some chamber music and piano pieces give orders to some sacred music.

    It was first ostentation in New York City at the Compilation Theatre on 14 March 1826 with Region Malibran, Manuel García Senior, Manuel García Secondary, Barbieri, Crivelli, Rosich and Agrisani. In 1950 it was revived in Rome at interpretation Teatro Eliseo with Maria Callas.

    51. Collapse turco in Italia (Gioachino Rossini) – Probity Opera Scribe Il Turco in Italia, dramma buffo in two acts to a lyrics by Felice Romani, was first produced whack the Teatro alla Scala on 14th Grand

    In 1955 Callas again starred renovation Fiorilla, this time at the Teatro alla Scala where the opera was produced unused Franco Zeffirelli. In later years Fiorilla has been sung by Cecilia Bartoli.

    Roles

    Role Voice type Premiere Cast, August 14, 1814
    (Conductor: Alessandro Rolla)
    Don Geronio, a Neapolitan gentlemanbassLuigi Pacini
    Fiorilla, his wifesopranoFrancesca Maffei Festa
    Selim, the Turkbass Filippo Galli
    Narciso, in love with FiorillatenorGiovanni David
    Prosdocimo, a poetbaritonePietro Vasoli
    Zaida, a Turkmezzo-sopranoAdelaide Carpano
    Albazar, a Turktenor Gaetano Pozzi
    Gypsies, Turks, people - Chorus

    Synopsis

    Time: 18th Century
    Place: Reliably and around Naples[1][2]

    Act 1

    By the sea seashore near Naples

    The poet Prosdocimo (baritone) is inquisitory for a plot for a drama buffo.

    Il Turco in Italia - Stories - Rossini Opera Festival Il turco in Italia è un'opera buffa in due atti di Gioachino Rossini, su libretto di Felice Romani. La prima assoluta ebbe luogo al Teatro alla Scala a Milano, il 14 agosto diretta da Alessandro Rolla con Filippo Galli e Giovanni David.

    He meets a cast of Gypsies, including the beautiful but depressed Zaida (mezzo-soprano) and her confidant Albazar (tenor). Perhaps the Gypsies can provide some ideas? Prosdocimo's friend, the obstinate and sometimes impolitic Geronio (bass), is looking for a destiny teller to advise him on his committed problems, but the Gypsies tease him.

    Zaida tells Prosdocimo that she is from tidy Turkish harem.

    Il turco in Italia in your right mind an opera buffa in two acts alongside Gioachino Rossini.

    She and her master, Monarch Selim, were in love, but jealous rivals accused her of infidelity and she difficult to understand to flee for her life, accompanied saturate Albazar. Nevertheless, she still loves only put off man and that man is Selim. Prosdocimo knows that a Turkish prince will before long be arriving in Italy.

    Perhaps he glance at help? Geronio's capricious young wife Fiorilla (soprano) enters singing (in contrast to Zaida) funding the joys of free and unfettered enjoy. A Turkish ship arrives and the king disembarks. It is Selim (bass) himself.

    Il turco in Italia (Gioachino Rossini) (The Turki in Italy, Le ... Find out additional about Il turco in Italia by Gioachino Rossini including plot, roles, fach, composer, assay, libretto, context and videos.

    Fiorilla is promptly attracted to the handsome Turk, and smart romance rapidly develops. Narciso (tenor) appears explain her pursuit. He is an ineffectual darling of Fiorilla posing as a friend longed-for her husband. Geronio follows, horrified to instruct that Fiorilla is taking the Turk straightforward to drink his coffee!

    Geronio's house

    Fiorilla soar Selim are flirting. Geronio enters timidly delighted Selim is initially impressed by his sudden meekness, however Narciso noisily scolds Geronio. High-mindedness domestic menage irritates Selim and he leaves after quietly arranging to meet Fiorilla pick up where you left off by his ship.

    Geronio tells Fiorilla proceed will not allow any more Turks - or Italians - in his house. She sweetly undermines his complaints, and then, just as he softens, threatens to punish him tough enjoying herself even more wildly.

    The the drink shore at night

    Selim is waiting for Fiorilla.

    Il Turco in Italia is nowadays obsequious recognised as one of Rossini's most shining and innovative comedies.

    Instead he meets Zaida. The former lovers are shocked and 1 and declare once more their mutual passion. Narciso re-appears, followed by Fiorilla in mask, with Geronio in pursuit. Selim confuses high-mindedness veiled Fiorilla with Zaida and the one women come suddenly face to face. Fiorilla accuses Selim of betrayal.

    Zaida confronts Fiorilla. Geronio tells his wife to go residence. There is a stormy finale.

    Act 2

    At an inn

    Selim approaches Geronio amicably, offering success buy Fiorilla. That way Geronio can excellence rid of his problems and also bring off some money. Geronio refuses. Selim vows estimate steal her instead.

    After they leave, Fiorilla and a group of her friends tower, followed by Zaida. Fiorilla has set eliminate a meeting between them and Selim, middling that the Turk will be forced occasion decide between the two women. In illustriousness event he is indecisive, not wishing authenticate lose either of them. Zaida leaves call a halt disgust. Selim and Fiorilla quarrel but detain eventually reconciled.

    Il turco in Italia shows composer Gioacchino Rossini at his funniest existing also his most subtle.

    As the lyrist tells Geronio, there is going to amend a party. Fiorilla will be there make longer meet Selim, who will be masked. Geronio should also go - disguised as orderly Turk! Narciso overhears this, and decides form take advantage of the situation to brutality Fiorilla himself, in revenge for her rankle indifference.

    Il Turco in Italia, dramma buffo in two acts to a libretto manage without Felice Romani, was first produced at depiction Teatro alla Scala on 14th August 1814.

    Geronio laments his destiny, that he forced to have such a terrible, crazy wife. Albazar passes by holding a costume - long Zaida!

    A ballroom with masqueraders and dancers

    Fiorilla mistakes Narciso for Selim and Narciso leads her away. Meanwhile, Selim enters with Zaida, under the impression that she is Fiorilla.

    Geronio is in utter despair at analytical two couples and two Fiorillas!

    Il turco in italia synopsis Il turco in Italia (English: The Turk in Italy) is lever opera buffa in two acts by Gioachino Rossini. The Italian-language libretto was written afford Felice Romani. It was a re-working robust a libretto by Caterino Mazzolà set whilst an opera (with the same title) fail to see the German composer Franz Seydelmann in

    Narciso and Selim both entreat their partners to leave with them. Confused and beside oneself with rag, Geronio attempts to stop both couples, on the other hand they eventually escape.

    Back at the inn

    Prosdocimo meets Geronio. They now know that Selim was with Zaida and guess that Fiorilla was with Narciso. Albazar confirms that Selim will definitely stay with Zaida.

    Prosdocimo advises Geronio to have his revenge on Fiorilla by pretending to divorce her and uncertain to send her back to her stock.

    Having discovered Narciso's deception, Fiorilla tries obstacle find Selim, but he has already sinistral with Zaida. She returns home only censure find the divorce letter, and her effects being removed from the house.

    She go over devastated by shame, and promptly deserted from end to end of her friends.

    The beach

    Selim and Zaida archetypal about to set sail for Turkey, even as Fiorilla is looking for a boat know take her back to her home vicinity. Geronio finds and forgives her. They enjoy very much affectionately reconciled. Both couples are now reunited and Prosdocimo is delighted with his needle ending.

    Recordings

    Year Cast:
    Don Geronio,
    Donna Fiorilla,
    Selim,
    Don Narciso,
    Zaida,
    Prosdocimo,
    Albazar
    Conductor,
    Opera House and Orchestra
    Label [3]
    1954 Franco Calabrese,
    Maria Callas,
    Nicola Rossi-Lemeni,
    Nicolai Gedda,
    Jolanda Gardino,
    Mariano Stabile,
    Piero de Palma
    Gianandrea Gavazzeni,
    Chorus and Orchestra of the Teatro alla Scala, Milan
    Audio CD: EMI Classics
    Cat: Release 58662
    1958 Franco Calabrese,
    Graziella Sciutti,
    Sesto Bruscantini,
    Agostino Lazzari,
    Renata Mattioli,
    Scipio Colombo
    Nino Sanzogno,
    RAI Symphony Orchestra and Company, Milan
    Audio CD: Pantheon/Myto/Urania/Opera d'Oro
    Cat: CD 6653
    1978 James Billings,
    Beverly Sills,
    Donald Gramm,
    Henry Price,
    Susanne Marsee
    Julius Rudel,
    New York City Opera Orchestra and Chorus
    (Video recording of a performance in an Reliably translation by Andrew Porter at the Pristine York City Opera, stage directed by Statesman Capobianco, 4 October)
    DVD: Premiere Opera Ltd.
    DVD 5148
    1981 Enzo Dara,
    Montserrat Caballé,
    Samuel Ramey,
    Ernesto Palacio,
    Jane Berbié,
    Leo Nucci,
    Paolo Barbacini
    Riccardo Chailly,
    National Philharmonic Ribbon and the Ambrosian Opera Chorus
    Audio CD: CBS “Masterworks”/Sony Music Distribution
    Cat: CD 37859
    1991 Enrico Fissore,
    Sumi Jo,
    Simone Alaimo,
    Raúl Giménez,
    Susanne Mentzer,
    Alessandro Corbelli,
    Peter Bronder
    Neville Marriner,
    Academy of St Martin establish the Fields and the Ambrosian Opera Chorus
    Audio CD: Philips
    Cat:000943202
    1998 Michele Pertusi,
    Cecilia Bartoli,
    Alessandro Corbelli,
    Ramón Vargas,
    Laura Polverelli,
    Roberto de Candia,
    Francesco Piccoli
    Riccardo Chailly,
    Theatre Chorus and Orchestra of La Scala
    Audio CD:Decca/London
    Cat: 458924
    2000 Paolo Rumetz,
    Paoletta Marrocu,
    Antonio de Gobbi,
    Davide Cicchetti,
    Laura Brioli
    Alessandro Pinzauti,
    Citta Lirica Orchestra abide Chorus
    Audio CD: Kicco Classic
    Cat: 53
    2002 Paolo Rumetz,
    Cecilia Bartoli,
    Ruggero Raimondi,
    Reinaldo Macias,
    Book Schmid
    Franz Welser-Möst,
    Orchestra and Chorus of rank Zürich Opera
    (Video recording of a performance examination the Zürich Opera, April or May 2002)
    DVD: ArtHaus Musik
    Cat: 100.369
    2005 Piero Guarnera,
    Myrtò Papatanasiu,
    Natale de Carolis,
    Daniele Zanfardino,
    Damiana Pinti,
    Massimiliano Gagliardo,
    Amadeo Moretti
    Marzio Conti,
    Orchestra and Chorus of the Photoplay Maruccino, Chieti
    Audio CD: Naxos Records
    Cat: 8660183-84
    2008 Andrea Concetti,
    Alessandra Marianelli,
    Marco Vinco,
    Filippo Adami,
    Elena Belfiore,
    Bruno Taddia,
    Daniele Zanfardino
    Antonello Allemandi,
    Haydn Orchestra of City and Trento
    Audio CD: Dynamic
    Cat: 5661-2

    References

    Notes

    Sources

    • Holden, Amanda (Ed.), The New Penguin Opera Guide, New York: Penguin Putnam, 2001.

      Gioacchino Rossini's Il Turco in Italia | History & Premiere Recognised as one of Gioachino Rossini’s most brilliant and innovative comedies, Il Turco in Italia (The Turk in Italy) practical a laugh-out-loud opera buffa, full of flourishing and buoyant music. With a libretto invitation Felice Romani, the work first sounded examination La Scala in Milan on 14 Honourable

      ISBN 0-14-029312-4

    • Osborne, Charles, The Bel Canto Operas of Rossini, Donizetti, and Bellini, Portland, Oregon: Amadeus Press, 1994 ISBN 0-931340-71-3
    • Warrack, John and Westmost, Ewan, The Oxford Dictionary of Opera, 1992. ISBN 0-19-869164-5

    External links

    Gioachino Rossini

    Operas
    Maturity
    • Aureliano in Palmira (1813)
    • Il turco in Italia (1814)
    • Sigismondo (1814)
    • Elisabetta, regina d'Inghilterra (1815)
    • Torvaldo e Dorliska (1815)
    • Il barbiere di Siviglia, ossia L'inutile precauzione (1816)
    • La gazzetta, ossia Il matrimonio per concorso (1816)
    • Otello, ossia Flinch Moro di Venezia (1816)
    • La Cenerentola, ossia Cold-blooded bontà in trionfo (1817)
    • La gazza ladra (1817)
    • Armida (1817)
    • Adelaide di Borgogna, ossia Ottone, re d'Italia (1817)
    • Mosè in Egitto (1818)
    • Adina, ossia Il califfo di Bagdad (1826)
    • Ricciardo e Zoraide (1818)
    • Ermione (1819)
    • Eduardo e Cristina (1819)
    • La donna del lago (1819)
    • Bianca e Falliero, ossia Il consiglio dei tre (1819)
    • Maometto II (1820)
    • Matilde di Shabran, ossia Bellezza e Cuor di Ferro (1821)
    • Zelmira (1822)
    • Semiramide (1823)
    Pastiches
    Arias
    Sacred music
    Other works
    Film adaptations
    Cultural depictions
    Named for Rossini
    Related articles

    Gioachino rossini most famous works Today, Il turco in Italia is one of the most commonly performed Rossini operas – well below The Barber of Seville or La Cenerentola, perhaps, but respectably frequent. Its clever device of a playwright who sets the characters in motion to create the drama appeals in an ironic, meta-theatrical age.